Tag Archives: gay

ClimActs WET! 2015 – Theater Offensive

Abe Rybeck,  Founding Director of The Theater Offensive  has been pushing the boundaries of LGBTQ activism for over 30 years and I am so fortunate to have been able to interact with him over the years.  We met at the National Performance Network – Annual meeting on Miami Beach at the Deauville Hotel.  It was during an after party, when suddenly, hardcore Cuban salsa music started to blast into the Grand Ballroom and before I knew it we where on the dance floor “salsaing” our brains out.

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Deauville Hotel, Grand Ballroom, Miami Beach, FL

Since then I have considered him a mentor, confident and source of inspiration.  Here are scenes from CLIMACTS – WET!  2015.  An immersive performance installation I collaborated on with The Theater Offensive staff under the Artistic/Executive leadership of Nick Bazzo,  Adrian Budhu and Evelyn Francis with the super generous support of the NPN.

Here is a little excerpt of the video I created during my residency in Boston that played on the most gorgeous LED Flat screen.

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Abe Rybeck, Alexandra Billings and Octavio Campos at ClimActs WET! 2015
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Adrian Budhu, Nick Bazzo and his husband Stephen.
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Abe Rybeck, Adrian Budhu and Evelyn Francis – Senior Staff at the Theater Offensive

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Crusing Hialeah – in memory of queer academic José Muñoz

A performance and video installation in memory of queer academic José Esteban Muñoz by DIGITAL HOSTAGE COLLECTIVE.
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The Miami Beach Botanical Garden will be transformed into a space of queer utopian longing. “Cruisers” like dance theater provocateur Octavio Campos and choreographer Pioneer Winter will interact with visitors, soliciting them to listen to oral histories of the queer Miami and Hialeah of the 1980s—the time of José Esteban Muñoz coming-of-age as a gay man—while soprano Celeste Fraser Delgado and tenor José Vilanova circulate the grounds, evoking the devastating impact of the AIDS pandemic with haunting arias.


The intrepid may choose to enter the Garden’s Butterfly Room, transformed by visual artist and videographer Damian Rojo into a symbolic “back room,” where an installation culled from archival film and new video evokes what Muñoz calls the “utopian longing” of the public sex scene in the 1980s. “Cruising Hialeah” and “Ghosts of Public Sex” inaugurate “Cruising Miami,” a long-term project to develop an archive of Miami’s queer lifeworld and of performance by queers of color in South Florida.

The Cruising Miami project aims to bring José home to South Florida’s queer community through a salon dedicated to his work and a performance coupled with a video installation recreating the cruising scene he missed out on in his youth, and a mural visible to young queers proclaiming the most famous quote from Cruising Utopia:

“Some will say that all we have are the pleasures of the moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds” – José E. Muñoz, Cruising Utopia
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Born in Havana and raised in Hialeah, JOSÉ ESTEBAN MUÑOZ grounded his theoretical work in a performance and public sex archive derived mainly from New York City and Los Angeles. Also born in Cuba and raised in Hialeah at roughly the same time, DAMIAN ROJO immersed himself from an early age in the suburb’s queer culture, unknown to Muñoz, documenting much of his experience first on Super 8 film, and later on video. Though they never met, Muñoz as scholar and Rojo as artist separately explored parallel queer worlds of punk music and public sex throughout their careers.

While growing up in Hialeah, Muñoz was largely unaware of the queer culture flourishing at that time in South Florida. Although he regularly returned home to visit his Evangelical Christian parents, he never wrote about or appears to have even seen any queer performers in Miami. Likewise, the queer community in South Florida is largely unaware of his work.

ABOUT DIGITAL HOSTAGE COLLECTIVE: The Collective negotiates life, death, and sexuality in the digital age through interdisciplinary works that fuse the carnal with the virtual. Long-time collaborators singer/writer Celeste Fraser Delgado and visual artist/videographer Damian Rojo work with a shifting roster of consorts, which for Cruising Miami includes dance theater provocateur Octavio Campos, poet Neil de la Flor, dramatic tenor José Vilanova, and [choreographer Pioneer Winter.

*This performance is not suitable for minors under 18*

ABOUT READING QUEER

Pig Burlesque

The Pig Show is a 45 minute subversive cabaret solo show. Associative story telling meets interactive queer stand up performed by Miami’s own performance provocateur, Cuban- American Octavio Campos. The piece looks at the passing of pop culture icons, Weimar republic sex workers and dead dancers like Michael Jackson & Pina Bausch inside of a naive retelling of the story of the invasion at the Bay of Pigs in Havanna, Cuba.

Conceived and performed by
Octavio Campos

Music
Juan Carlos Espinosa, George Gerschwin, Spolinski

Costumes
Slick it Up

Lighting
Kevin Roman

Production
Camposition Inc.

This video sample of THE PIG SHOW is from the section called: PIG BURLESQUE

the full performance of a work in progress showing was done at WinterFest – Miami Dances 2011 in Miami Beach, FL January of 2011, World Premiere at Revolt, Melbourne, Australia part of the Melbourne Fringe Festival and lastly at Hot Festival – Dixon Place – NYC 2013.

 

<p><a href=”http://vimeo.com/22954509″>The Pig Show – PIG BURLESQUE</a> from <a href=”http://vimeo.com/octaviocampos”>Octavio Campos</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

 

 

OctavioCampos_2.0

 


How far will a person go to accomplish a dream that has no limits? If that dream includes self-reinvention, risk, and separating from the past, then the dream may not be as accessible as reality.

Octavio Campos _2.0 is the beginning of an ending.   This page will slowly become the archive of my work as dancetheater artist,  activist, producer and creator of devised theater,  a memory bank of my performances and musings on writing about the performing arts at large.

For more information

SYNAPSE PERFORMANCE PROJECT

The Synapse Performance Project facilitates and supports dance think tanks; concentrated periods of creative work, where a Miami-based choreographer brings in collaborators from other parts of the country. Thought Loom is proud to work with seasoned choreographer, Octavio Campos as its first lead artist with his new transmedia solo performance TRPL Qunice.  A very special thanks to the directors of Thought Loom,  Letty Basart,  Elana Reynolds and the incredible and generous Lydia Bittner Baird.

Watch the interview with collaborators,  David Fishel (Video) and Robert Flynt (Photography).


Please Don’t Hate Me!

Intention Intervention - Please Don't Hate Me!

Please Don’t Hate

Me! 

transmedia peformance campaign  

INTENTION

INTERVENTION

film by Rick Delgado

dramaturgy Dale Penn

artistic direction, Octavio Campos

featuring Leo Casino, Natasha Tsakos,  Paul Seligman, 108 Yogi’s from Miami Life Center/Unity on the Bay/Yogashala

and

Voices United – Youth Choir directed by Katie Christie

Produced by City of Miami Beach, Sleepless Night,  Nufro Productions,  Miami Dade County Cultural Affaris Department and Camposition Inc.

 

<p><a href=”http://vimeo.com/75487896″>PDHM</a&gt; from <a href=”http://vimeo.com/octaviocampos”>Octavio Campos</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

 

 

 

Bugchasers

 

Bugchasers _ Act 3 _ OUT

BugChasers

dancetheater by Octavio Campos

Sex is different now. There are new questions. And lies.

The Bugchasers is an evening-length performance that explores the nature
of desire in a marginalized world where new forms of communication and a
fraught sexual epidemiology have altered the experience of intimacy.
Bugchasers are young men who compulsively seek to become HIV positive,
eroticizing risk in a game of viral Russian roulette where the shared bond of a
communicable disease substitutes for love.

The Bugchasers incorporates theater, dance, music and video to ask
whether the human need for belonging and contact has led to a new eroticism
or become a monstrous force for self-annihilation.
It is a story of accelerated love in our time.

Who is that person on the other side of the mattress? How can you be sure?

WARNING: This performance is not recommended for a first date.

Presented and co-commissioned by Miami Dade College, The Center for Cultural Collaborations International, Arsht Center of the Performing Arts, and Camposition.

Performers:

Natasha Tsakos, Diana Lozano, Heather Maloney, Ron Headrick,
Octavio Campos, Matt Glass & Joshua Nardi

Choreography: Octavio Campos
Texts: Matt Glass
Costumes: Diana Lozano
Video: Bec Stupak
Music: Zeena Parkins, Pink Floyd, Livio Tragtenberg, Barry White a.o…
Dramaturgy: Michael Yawney